I was asked how to get an ’80’s look from Fujifilm cameras, similar to my articles explaining how to get a ’90’s look (here and here). Well, it’s actually quite easy! I have several Film Simulation Recipes that mimic a 1980’s aesthetic. Simply program one (or more) of those Recipes into your Fujifilm camera, and you’re good to go.
First, I want to share with you some pictures that I recently captured on my Fujifilm X-T30 using the Kodacolor Recipe, which is my favorite for replicating an ’80’s vibe. Take a look!
Using vintage lenses from the 1980’s, or perhaps inexpensive third-party lenses with character, will help with the overall aesthetic. For the pictures above, I used a TTArtisan 27mm f/2.8, which has strong vignetting when used wide open. Basically, you don’t want a clean digital image; some technical flaws are preferred, I think.
Below are my Top 7 Film Simulation Recipe suggestions for a 1980’s look. I’m sure there are others that could suffice, too, but these are the ones that I recommend the most.

This Recipe produces a distinct 1980’s Kodak color negative film rendering. Great for sunny daylight photography. Compatible with X-Trans III cameras, plus the X-T3 and X-T30. Click here for X-Trans II. There are also a couple other versions (here and here). To use this Recipe on “newer” X-Trans IV cameras, simply set Grain size to Small, Color Chrome FX Blue to Off, and Clarity to 0. This is my top suggestion for a 1980’s look.

This Kodacolor VR Recipe is similar to the Kodacolor Recipe above, but a little different—it is more reminiscent of slightly expired Kodacolor VR film. It also has a distinct 1980’s vibe. Compatible with X-Trans III cameras, plus the X-T3 and X-T30. For use on “newer” X-Trans IV cameras, simply set Grain size to Small, Color Chrome FX Blue to Off, and Clarity to 0.

Reminiscent of the quintessential Kodak color negative film, which was first introduced in the late-1980’s. This Recipe is great for sunny daylight photography. Compatible with X-Trans V cameras; for X-Trans IV (except the X-T3/X-T30), set Color Chrome FX Blue to Weak. For X-Trans III cameras, plus the X-T3 and X-T30, click here.

Kodachrome 64, which mimics the unmistakable colors of the iconic slide film, is perfect for sunny daylight photography. This is the X-Trans V version; for X-Trans IV (except for the X-T3/X-T30) click here, for the X-T3 and X-T30 click here, and for X-Trans II click here. Kodachrome 64 was introduced in 1974 and discontinued in 2009, so it isn’t strictly a 1980’s aesthetic, but definitely falls within the era.

The aesthetic of the Emulsion ’86 Recipe is reminiscent of some pictures from the Expo ’86 World’s Fair. This Recipe is for X-Trans V cameras.

Fujicolor Super HG was a color negative film introduced by Fujifilm in the 1980’s. While it was never as popular as Kodak’s stocks, it still has a distinct ’80’s vibe. Best for sunny daylight conditions, although it can do well in other situations, too. This Recipe is compatible with X-Trans IV cameras (except the X-T3/X-T30); for use on X-Trans V, set Color Chrome FX Blue to Weak.

Similar to Fujicolor Super HG (“v1”), this version offers more versatility, and is great for nighttime and artificial light situations; however, I think v1 has a bit stronger ’80’s aesthetic. This is the X-Trans V version, for X-Trans IV (except the X-T3, X-T30, X100V & X-Pro3) click here.
See also:
How To Add Film Simulation Recipes To Your Fujifilm Camera
Why Film Simulation Recipes are BETTER than default Film Simulations
Why Shooting JPEGs Is So Popular
Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

